These images seek to examine the interconnectedness of the forms and voids that exist within the landscape, and how these elements translate to the pictorial (specifically photographic) space.
Parallel to this is a consideration of humankind’s place within this landscape and its relationship to it.

A significant part of the project was a personal photographic “grounding”. The specific use of relatively traditional photographic equipment and techniques, including the use of a large-format camera and black and white film, provides a clearer, more refined photographic language that is better suited to my intentions towards more considered and meditative compositions. The cumbersome nature of the camera is paradoxically beneficial for the production of stronger images. Slowing the process down and taking up to an hour to take an exposure is beneficial for encouraging a more analytical mode of seeing.